Tag Archives: RAG

A Moment in Time: Artist Davis Perkins Exhibits at PUC

By Becky St. Clair

Always drawing as a kid, Davis Perkins doesn’t remember a time when art wasn’t a part of his life. Perkins attended the University of Oregon, graduating with a bachelor’s degree in fine arts, and he has now made art a career. He has original artwork in a permanent collection at the Smithsonian as well as in the Pentagon and has done one-man shows at the Alaska State Museum and the Smithsonian’s Air & Space Museum.

On Nov. 9, Perkins will host an opening reception and artist talk at 7 p.m. in the Rasmussen Art Gallery right here on campus. His exhibit, Landscapes: A Moment in Time, will be on display through December 8 (the gallery will be closed Nov. 23-Dec. 1 for Thanksgiving break). We caught up with Perkins and asked him a few questions to get to know him and his craft better. 

What first sparked your interest in painting?

I was always drawing as a kid. It was something for which I seemed to get a lot of “praise.” I was raised on a farm in rural Oregon and was always outside. It was during my three-year stint in the Army I really started to draw a lot, and when I got out of the service I attended college, initially studying history, but taking more and more drawing and painting classes. I had great support from my professors and they encouraged me to pursue painting seriously. I switched majors to art and began in earnest. I initially started in oil painting, and it’s what I love most to this day.

How did your career start?

While in college, I was a smokejumper (parachute firefighter), and I worked during the summer fire season. After graduation, I moved down to the Bay Area to paint during the winter, going back to Alaska to spend the summers jumping fires. It was a very seasonal lifestyle! When a professor advised me to start a series of paintings of my experiences as a smokejumper, I began jumping fires with a small sketchbook, documenting my work during the slow times. The series ended up being my senior thesis project. I had a lucky break with that final series; first, the Alaska State Museum gave me a one-man show of the work, and the next year, the Smithsonian Institution’s Air and Space Museum gave me a one-year solo exhibition of my work. The Smithsonian has three of my paintings in their permanent collection. I also have a painting in the Pentagon with the Air Force Art Collection.

How does your environment play a role in your art-making?

As you will see in the exhibit at the Rasmussen, I consider myself a traditional landscape painter. Much of my life has been spent outdoors, and the wonders of nature are what inspire me, therefore much of my work is plein air. For larger studio pieces I always work outside for reference studies.

What is one of your favorite pieces you’ve created, and why?

Hmm … that’s a tough one! I’d say some of my favorite pieces are the quick studies done on location. They often seem the freshest and most spontaneous. I am constantly attempting to not overwork a piece; I try and limit an outdoor painting session to no more than two hours. By that time, the light has changed significantly. I will often start a painting in the morning and move on to another in the afternoon. If there’s more work that remains, I can return the next day.

Tell us about your studio. What kind of space have you created in order to be comfortable expressing yourself?

I’ve got a great studio! It’s located in downtown San Rafael and is part of a complex called The ArtWorks Downtown. There are about 35 studios in the building and it is a wonderful complex in which I have many good friends. I have a high ceiling studio with a skylight, as well as good artificial lights. I’ve been in ArtWorks Downtown for about 15 years. Come visit anytime!

What’s something you still want to learn about art-making, and what are you doing to acquire that knowledge?

A good question! I am obviously still learning and it is an ongoing ambition, but I’m focusing on the study of color primarily. For the past three years, I have been on the faculty of the annual Plein Air convention. The four-day convention attracts painters from all over the world, and individuals give wonderful lectures and demonstrations. I gain a great deal from attending these lectures and learning from some of the world’s top artists. I also try and take advantage of living in the Bay Area and travel to museums here as often as I can. We are so fortunate to have access to the de Young, the Oakland Museum, and others; they have wonderful collections!

large-Perkins_Doc's PondWhat makes oil painting different from other kinds of painting?

What is delightful about oil painting is the ability to alter your work: You simply wipe it off! Often when I’m painting a cloud, for example, I will decide to start again. During the process of wiping off the paint, a new shape will emerge that I like and will develop. I especially like the ability to glaze over the dried paint with a translucent layer of color. It’s a technique used by oil painters for hundreds of years. As I mentioned, I am constantly exploring and reading about mixing color. It is an ongoing process!

How do you start a new piece? 

A large white canvas staring you in the face can be intimidating. So I always start a painting with a thin wash, usually in an earth color. I then use a little darker, thin paint to start developing the composition. This is really the most fun time to paint; you’re exploring, wiping out, redrawing with thin paint. You can’t screw it up! I then start to develop the basic values–light and dark. When I’m satisfied I’m on to something, I’ll start applying heavier layers of paint. Then it’s, “Fingers crossed!” Ha!

Who is another artist you admire, and why?

I would have to say Richard Schmid is one of my greatest inspirations. He is nothing less than a National Treasure. I have had the pleasure of meeting him, and I own all of his books. He’s been an inspiration to hundreds of young artists.

 

Sensibilities: Douglas Sandquist at the Rasmussen Art Gallery

By Becky St. Clair

In the early 90s, Douglas Sandquist attended PUC as a bio-chem. Upon being accepted into dental school after his junior year, he left PUC and headed to dental school. He went on to become a dentist back in his hometown of Las Vegas, Nevada, where today he curates the unexpected combination of his dental career and photography. 

In 2016, a photo Sandquist took in Iceland with his iPhone and shared via Instagram was requested by Apple for use in a worldwide marketing campaign. This resulted in mega exposure for this Nevadan dentist-photographer. (More on this in the Q&A—keep reading!)

Some of Sandquist’s photographic art will be displayed in an exhibit in the Rasmussen Art Gallery beginning this Saturday, Oct. 12, with his opening reception at 7 p.m. He will present an artist talk and refreshments will be served. Before you go, though, you may want to learn a bit more about the artist himself. We did, so we asked him a few prodding questions. 

Introducing: Douglas Sandquist.

Where did you grow up, and how did that environment contribute to how you view the physical world? big-image-1

I was born and raised in Las Vegas, Nevada. It’s right in the middle of the Southwest part of the United States. California, Utah, and Arizona, along with their beaches, deserts, and National Parks, gave me the opportunity to get out and see what was out there. I’ve never stopped exploring.

 

 

What sparked your original interest in photography?

I actually dabbled with it even as a child. It wasn’t until I wanted to get better at taking photos for my day job as a dentist that I really started getting serious about it. I wanted to somehow be able to capture what I do. Most dental photography is macro photography, but it’s also portrait photography. I originally wanted to learn how to take better clinical photos, so I delved into learning how to better use a camera, how to compose a shot, and how to work with different lighting. One thing led to another, and I started to enjoy photography outside the office just as much as in it.

What was the first camera you used to start shooting artistic/intentional photography?

I bought a Canon 10D in 2004.

What camera is your instrument of choice now?

I currently use a Canon 5D Mark IV and, of course, an iPhone. 

Where do you learn your photography skills?

I’ve never taken a formal photography class. I am mostly self-taught, but I have also participated in workshops all over the world, and have engaged in online mentorship programs for over 10 years.

Okay, let’s talk about the Apple iPhone ads. (You knew it was coming!) How did this happen?

big-image-4

Crazy as it sounds, I didn’t submit my photo to Apple. In January 2016 I took a photo with my iPhone and posted it on Instagram with a few hashtags—as you do—and a few months later, I was contacted by Apple and their advertising agency, requesting the use of my photo in a campaign. I agreed, and within a matter of months, my photo—taken with an iPhone 6S—was on billboards, in magazines, and on signs around the globe.

 

 

 

Where did your photo show up, that you know of? big-image-3

That photo appeared on over 30 billboards all around the world: L.A., San Francisco, Dallas, Minneapolis, Philadelphia, Paris, India, six cities in China—including Shanghai—Korea, Thailand, Mexico, Tokyo, and Turkey, and on the back of magazines all over the world. 

 

What inspires you as a photographer?

I love challenging what I see and then attempting to capture it. It also means I get to get out there and go see the world. 

What are your favorite subjects to photograph?

I particularly enjoy capturing cold landscapes and the stars in the American Southwest. 

How do you think the desert of the American Southwest and the frozen tundra of Iceland are connected for you? What draws you to those environs to shoot? big-image-2

Both of these regions offer plenty of opportunities to ask, “How did this happen?” Whether it’s a massive arch-like Double Window in Arches National Park or the glacier ice that ends up on the black sand beaches of Iceland, there are always unique views and perspectives to capture and ponder. I also love the way the light transforms these elements. Different times of the day or year create different scenes that often catch me off-guard and illuminate my sensibilities.  

We have to ask one completely abstract question, so here goes: If the experience of taking the perfect photo had a color, what would it be? big-image

Sunset Orange 🙂